[3] A 1735 inventory of the pictures sent by the Countess of Bradford from London to Weston Park, after Lady Torrington's death, lists "Case No. John Ashburnham, grandfather of the 1st Baron Ashburnham, and his wife were painted by the artist incirca 1637. 41 69 1/4 in. While the art world knows endless information about the masterpieces it does have, the lesser-known but nonetheless brilliant works hold clues which, when (if) discovered, can immediately elevate their status. 174-1);[8] consigned 1952 by Hearst's estate to (M. Knoedler and Co., New York); sold September 1952 to the Samuel H. Kress Foundation, New York;[9] gift 1952 to NGA. Henrietta Maria was the youngest daughter of Henry IV of France (Henry III of Navarre) and his second wife, Marie de' Medici, and was named after her parents. Turner: A Miscarriage of Justice? Destined for a leading patron of the arts in Baroque Rome, Van Dycks portrait was one of many diplomatic gifts that spread the artists fame and influence throughout Europe. Tate Gallery. Search Phoenix obituaries and condolences, hosted by Echovita.com. Instead, here, Charles feasted his hungry eyes on many works by European masters, including Titian (who had been court painter to the imperial Habsburg court in the sixteenth century), Correggio, Andrea Mantegna, The Triumphs of Caesar: 9. Public domain data for this object can also be accessed using the Met's Open Access API. Anthony van Dyck was one of the greatest Flemish painters of the 17th Century. Henrietta Maria, daughter of King Henri IV of France and sister of King Louis XIII, exerted a strong influence on court fashion and protocol, and introduced continental fashions and Italianate gardens to England. Asked how one of the world's leading auction houses could have overlooked two works by the Flemish master, Mould told the Observer: "Perhaps Christie's didn't have sufficient time to research these pictures. Only in 2012, Philip Mould a renowned art dealer (who previously employed Grosvenor) purchased a painting from Christies depicting Queen Henrietta Maria, after Van Dyck. West Building However, according to John Walker, Self-Portrait with Donors: Confessions of an Art Collector, Boston and Toronto, 1974: 222, it was sold for $124,998. [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. These are sensitively executed. The canvas has a firm lining and the paint surface is clean with a clear and even varnish. Maintenant disponible sur AbeBooks.fr - Hardcover - Cologne, Cornelius van Egmondt - 1631 - Etat : Very Good - [SEXUAL ABSTINENCE FROM KENELM DIGBY S LIBRARY] 24mo., pp. television show", "Philip Mould on Twitter: So, this week's #fakeorfortune was designed to go out last year but there were research and authentication issues which meant we were not ready to go. 1 Studio versions are found in the Fine Arts Gallery in San Diego, 1 and the Alte Pinakothek, Munich. Since the first series aired in 2011, Fake or Fortune? (artist) Order reproductions from the Gallery Shop. Not reported in the weekly top 15 programmes for four-screen viewer ratings. One of the paintings surfaced among artworks that were looted by the Nazis and were auctioned last September by Christie's in Paris following their return to their original owners, the Rothschilds. Retrieved 12 August 2021.. Therefore, the canvas itself can be a very useful tool in discovering details of a pictures creation, or of those which might have been intended to be hidden by the artist themselves. 3 (Winter, 2021), Frans Francken the Younger, from "The Iconography". 3, p. 95, no. If you have comments or questions about this object record, please complete and submit this form. Two rose-pink bows are tied on the white fabric on her chest. The painting was presumably bought in, as the painting was consigned to Knoedler's by Hearst's estate in 1952. The portrait featured in the BBC TV programme, Fake or Fortune?. Have concluded this double portrait described as by Van Dyck is a composite copy by the Medici court painter at the time Justus Sustermans. Despite layers of dirt, it was "still possible to see that we were dealing with a painting of potentially the very highest quality", said Mould. 7th St and Constitution Ave NW [24], Imaginary Landscape by Thomas Gainsborough, Portrait of Joseph Gape by Thomas Gainsborough. The child's hands, which in the catalogue photograph lacked the elegance of Van Dyck's elongated fingers, emerged as sensitively rendered. Their first years together were unhappy, because the Duke of Buckingham, a favorite of the king, did all within his power to generate distrust of the young and inexperienced queen, a practicing Roman Catholic who spoke little English. : 'Henry Moore sculpture' mystery solved by TV show", "BBC: Fake or Fortune: Series 9, Episode 1", "Most Viewed Programmes (See relevant week(s))", "Call the Midwife attracts record audience on BBC1", "UK TV ratings: Black Work concludes with 5.1m", "Fake or Fortune? [22] Philip Mould described the appearance on Swedish television weeks ahead of the British premiere as a "weird BBC World cock-up". Its muted colours suggested it was not painted using oil. This image is in the public domain. Repeat instead", "Fake or Fortune art expert confronted with 2m Constable masterpiece he sold for just 35,000", "Lost for 136 years: 'fake' Tom Roberts painting bought for 7,500 could sell for $1m", "Fake or Fortune: Fiona Bruce left speechless by final verdict as viewers rage", "Four Screen Dashboard (See relevant channel and week(s))", "Is a Drawing in the Gurlitt Hoard an Unknown Early Work by Henry Moore? [5] By terms of the Countess of Mountrath's will, the contents of her house in Grosvenor Square, London, were left first to Caroline, Lady Milton, and after Caroline's death were to be divided among Caroline's children. It is accepted as genuine by the Wildenstein Institute. . The jewels in the crown of the collection were without question Titians eleven half-length portraits of Roman emperors (153640; destroyed by fire in 1734), which were inspired by the Roman historian Suetoniuss Lives of the Caesars, and the nine canvases of Italian renaissance painter Andrea Mantegnas. Thomas Newport had inherited Newport House in Twickenham in 1708 on the death of his father, Francis Newport, 1st earl of Bradford (1619-1708). The great Dutch artist, who was court painter to British monarchs depicted husband Charles I in the form of the Catholic St. Catherine of Alexandria. Search by Sitter. The public auction saw both works attract determined bidding nonetheless and both works sold for full prices.". Oil painting on canvas, Queen Henrietta Maria (1609-1669) and Sir Jeffrey Hudson (1619-1682) (after Van Dyck) by Charles Jervas (Dublin 1675 - London 1739). Many people take the art world to be resolute and unfailingly knowledgable and, with the works of a select number of master painters, this is certainly true. This magnificent portrait of the Queen is the type of painting that the king would traditionally present to a court favorite for political purposes. Such was their excitement that they dared not hover over it at the sale preview. The woman stands at the center of the composition with her body angled to our left, but she looks at us from the corners of her brown eyes. The bodice and full skirt of her blue dress are trimmed with bands of gold along the hems, down the sleeves, and down the front of the skirt. Van Dyck greatly idealized her in the portraitand this artistic flattery must have pleased her. Title: Queen Henrietta Maria Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London) Date: 1636 Medium: Oil on canvas Dimensions: 41 5/8 33 1/4 in. been sold by Christie's before as a genuine Van Dyck and had passed through the hands of many owners, including Prince Talleyrand, Napoleon's foreign minister. Buy "Anthony van Dyck - Portrait of Queen Henrietta Maria, as St Catherine (c.1649) in Philip Mould collection" by brand1st as a Art Print Make 2023 the year to let that wonderful you-ness shine. However, the reality is that new discoveries are made more regularly than one might imagine: be that re-discovering lost works, determining the painter of a previously unattributed work or even exposing the misattribution of a long-accepted official painting. An X-ray suggested that Mould's portrait contained a smaller original which . The 4th and 7th Street entrances are exit-only. Anthony van Dyck, Queen Henrietta Maria, c. 1638, oil on canvas, 71.7 x 56.3 cm (Royal Collection Trust, Windsor Castle, Queen's Drawing Room) . The programme airs on ABC in Australia. Various collectors and national institutions are lending paintings for the exhibition and these will sit alongside other masterpieces, including Van Dyck's last self-portrait and a Titian. His shoulder-length blond hair reaches to his wide, lacy collar. Despite this evidence, Coombs' initial 'serious misgivings' have not disappeared, and he decides to include the painting in his catalogue raisonn, although only in the 'Mysteries' section. The team does not always succeed. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations. ), A pre-1716 inventory of paintings at Surrey Street, London, belonging to the Hon. (105.7 84.5 cm), Classification: recently discovered by Philip Mould Ltd and taken while the Queen was beginning her long period of exile in Paris, is perhaps the most faithful likeness of her in later life. They were estimated to fetch just 20,000 and 8,000 respectively. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. However, recognising similar shapes and colours from a known lost original, x-ray scans revealed a smaller, over-painted original head study by Van Dyck which was subsequently revealed through painstaking restoration and conclusively attributed to Van Dyck himself. Portrait of Queen Henrietta Maria, as St Catherine; Henriette Marie de France; Portret van Henrietta Maria de Bourbon (1609-1669), koningin van Engeland, als de H. Catharina; dipinto di Antoon van Dyck; Anthony Van Dyck festmnye; pintura de Antoon van Dijck; quadre d'Anton van Dyck; Gemlde von Anthonis van Dyck; pintura de Antoon van Dyck; painting by Anthony van Dyck; maleri af Antoon van Dyck; pictur de Antoon van Dyck; obraz Antoon van Dyck; maleri av Anthonis van Dyck; mlning av Anthonis van Dyck; mleri av Anthonis van Dyck; pintura d'Antoon van Dyck; schilderij van Anthony van Dyck; cuadro de Anton van Dyck; pikturo da Antoon van Dyck; painting by Sir Anthony van Dyck, expanded and overpainted in the 17th century, restored and extra canvas removed in 2012; peinture de Anthony van Dyck, coll. Upon her return to England she briefly lived in the Queen's House from 1662-1663 . Fake or Fortune? The contents of the house were not to be inherited by any husband of Caroline, and therefore not by Joseph Damer, who died after his wife, in 1798. East Building [7] See the letter of 10 March 1927 confirming receipt of payment for seven of the Northbrook paintings, including Queen Henrietta Maria, Sir Jeffrey Hudson and a Monkey, in the Duveen Brothers Records (box 269, folder 16, reel 124; accession number 960015, Research Library, The Getty Research Institute, Los Angeles; copy in NGA curatorial files, kindly supplied by Patricia Teter). One such example is Picassos The Old Guitarist: created by the texture of the thick paint used, one can make out the ghostly outline of a womans face above the old mans neck, the shape of her body and pair of parted feet just below his knee. The lot is sold in the condition it is in at the time of sale. It had suffered from clouded varnish and some botched restoration, but the dealer was struck by the sophisticated drapery, colouring and facial expression all typical of Van Dyck's female portraits of the 1630s, the artist's period in England. Philip Mould, a British dealer who once bought a Gainsborough on eBay for 120, has proved his eagle eye once again with the find, which includes two paintings sold by Christie's last year as anonymous works. Episode 4 are 28 day figures from the new system. Find an obituary, get service details, leave condolence messages or send flowers or gifts in memory of a loved one. There were four episodes in the first series, which started on 19 June 2011: The first episode of the second series was shown in the UK on 16 September 2012. 1633. A symbol of purity, chastity, and generosity, the orange tree was also associated with the Virgin Mary, Henrietta Maria's patron saint. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). 148); principe Tommaso Corsini, Florence (193468); [Colnaghi, London, 196869; sold to Wrightsman]; Mr. and Mrs. Charles Wrightsman, New York (1969his d. 1986); Mrs. Charles Wrightsman, New York (1986d. He raises his left arm, closer to the woman, to hold a monkey on a tether. A London dealer has revealed the methods that have enabled him to attribute three unknown works to Charles I's court painter, Original reporting and incisive analysis, direct from the Guardian every morning, Now thought to be worth 3.5m, this Van Dyck was described by Christies as Flemish School, 17th century, portrait of a young girl with a fan. The Flemish painter Sir Peter Paul Rubens famously called him: The greatest lover of paintings among the princes in the world. He was the connoisseur-king who amassed the largest collection of art of any British monarch in history (around 1,500 paintings and 500 sculptures of the very highest quality), replete with stellar Renaissance names such as, Charless interests and tastes were shaped from an early age by his family. . By far the most important single experience in developing Charless artistic appetite when still prince of Wales, was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated protocols, as well as for housing the greatest collection of paintings in Europe. Van Dyck portrayed her dressed for the hunt in a brilliant blue satin riding costume with a delicate lace collar instead of the stiff and formal Elizabethan ruff still widely in use. In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. Fake or Fortune? Only in 2012, Philip Mould - a renowned art dealer (who previously employed Grosvenor) - purchased a painting from Christie's depicting Queen Henrietta Maria, 'after Van Dyck'. Van Dyck (1599-1641) was the most revered painter in 17th-century Britain, where he was court artist to Charles I. . Direct link to Leonard Croll's post how much is the art wort, The Lost Collection of Charles I from the Royal Collection Trust. Thomas Newport [c. 1655-1719, created 1st and last Baron Torrington in 1716], London, before 1716;[1] by inheritance to his third wife and widow, Anne, Lady Torrington [d. 1735, ne Anne Pierrepont], Newport House, Twickenham, and London;[2] by inheritance to her sister-in-law, Mary, Countess of Bradford [1661- 1737, ne Mary Wilbraham, widow of Richard Newport, 2nd earl of Bradford of the first creation], Weston Park, Shropshire;[3] by inheritance to her daughter, Diana, Countess of Mountrath [d. 1766, ne Lady Diana Newport, wife of Algernon Coote, 6th earl of Mountrath], 20-21 Grosvenor Square, London;[4] by inheritance to Caroline, Baroness Milton [1718- 1775, ne Lady Caroline Sackville, wife of Joseph Damer, later 1st earl of Dorchester], Milton Abbey, Dorset;[5] by inheritance to her son, George Damer, 2nd and last earl of Dorchester [1746-1808], Milton Abbey; by inheritance to his sister, Caroline Damer [1752-1829], Milton Abbey; by inheritance to her first cousin once-removed, John Dawson, 2nd earl of Portarlington [1781-1845], Milton Abbey; by inheritance to his nephew, Henry John Reuben Dawson-Damer, 3rd earl of Portarlington [1822-1889], Emo Park, Queens County, Ireland; by exchange 1881 to Thomas George Baring, 1st earl of Northbrook [1826-1904], Stratton Park, Hampshire; by inheritance to his son, Francis George Baring, 2nd earl of Northbrook [1850-1929], Stratton Park;[6] sold March 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[7] sold May 1928 to William Randolph Hearst [1863-1951], San Simeon, California; on consignment 1938 with (M. Knoedler and Co., New York) by (Parish-Watson and Co., New York), for Hearst; returned 1939 to Hearst; (his sale, held at Gimbel's and Saks Fifth Avenue by Hammer Galleries, New York, 25 March 1941, no. London. After expert treatment, the canvas revealed a dazzlingly bright image however, the removal of overpaint revealed that the sitter (George Oakley Aldrich) had been depicted with detailed scarring around his lips that of a burn. 6th St and Constitution Ave NW [3], Fake or Fortune? A leading old masters specialist has surprised the art world by identifying three previously overlooked paintings by the 17th-century artist Anthony van Dyck. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). His elegant, flattering paintings over this period are credited with setting a new standard for English portraiture. However, the only link they found was a British singer who was a friend of de Chirico in the 1950s. To further accentuate her status Van Dyck revisited a compositional idea he first developed in Genoa during the early 1620s with his portrait of Marchesa Elena Grimaldi Cattaneo: he has portrayed the queen standing just beyond the portico of an imposing architectural structure. A number of works of art were recovered after the restoration of his son, Charles II, to the throne, in 1660. They were shown to internationally renowned experts and museum curators before they were offered at auction. The presale estimate of 15,000 to 20,000 (13,200-17,600) was a fraction of its value as a Van Dyck. All structured data from the file namespace is available under the. A hint of a shiny silver earring pokes through brown ringlets, and one curl falls over one shoulder. 88. Conservation confirmed his suspicions. The Museum looks forward to receiving your comments. [4] It is co-presented by Mould and journalist Fiona Bruce, with specialist research carried out by Bendor Grosvenor during the first 5 series. The Coronavirus pandemic disrupted the production schedule, but in September 2020 Philip Mould announced that pre-production of the ninth series had started. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Oil on canvas, Dimensions: Like our page to stay informed about passing of a loved one in Phoenix, Arizona on facebook. Today. This portrait superbly demonstrates Van Dyck's working methods and the reasons for his phenomenal success. In Van Dycks portrait, the pregnant queen of England cradles her arms over her abdomen while standing next to a crown that advertises her rank. The condition report may not refer to all faults, restoration, alteration or adaptation. A child prodigy, Van Dyck began painting at just 10 years old. Caesar on his Chariot, c.148492, tempera on canvas, 270.4 x 280.7 x 4 cm (Royal Collection Trust, Hampton Court Palace, London), The consequence of the visit was that Charles set his heart on a comparable collection of art for his own court when king. As a devout French Catholic in a self-consciously Protestant English court, the Queens first years in England were not happy ones, and the unprecedented union of a Catholic Princess with the heir to a Protestant throne was greeted with considerable trepidation on both sides of the Channel. She was born at the Palais du Louvre on 25 November 1609, but some historians give her a birthdate of 26 November. Buy "Anthony van Dyck - Portrait of Queen Henrietta Maria, as St Catherine (c.1649) in Philip Mould collection" by brand1st as a Photographic Print 5 days of deals is on. has drawn audiences of up to 5million viewers in the UK,[2] the highest for an arts show in that country. Portrait of Henrietta Maria (1609-1669), Queen of England, consort of Charles I . Williams, Curator and Head of Learning to the Weston Park Foundation, 21 July 2010, all in NGA curatorial files. The Medici crest contains five gold balls, thought to represent oranges from the family's renowned citrus tree collection. His eye was caught by a picture catalogued as "After Van Dyck, Portrait of Olivia Porter". Paintings, Credit Line: Henrietta Maria (16091669), the queen consort of Charles I of England, was born in the Louvre and was named after both of her parents, Henry IV of France (15531610) and Marie de Medici (15731642). An X-ray suggested that Mould's portrait contained a smaller original which had been enlarged and over painted in the 18th century. Charles purchased the bulk of it a colossal cost (it took him two years to pay what he owed). returns July 2021", "Fake or Fortune? is the art world's answer to Line of Duty", "Fake or Fortune - North American Premiere November 2 on TVO", https://en.wikipedia.org/w/index.php?title=Fake_or_Fortune%3F&oldid=1141711310, The team investigate two paintings from the, The team members investigate a painting of the, As a first for the programme, the team focuses on more than just one work. What lies beneath. She was born on April 3, 1935 to Frederick and Catherine Van Schaik in Chicago, IL. One appeared to be the first pencil sketch for Gauguin's Tahitian masterpiece When Will you Marry?. Thomas Newport, lists "In New Room next Somerset GardenK. Cha. (104 176 cm) Archbishop's Castle and Gardens, Krom. Queen Henrietta Maria with Sir Jeffrey Hudson, Read our full Open Access policy for images, Baring, Francis George, 2nd earl of Northbrook, Baring, Thomas George, 1st earl of Northbrook, Coote, Countess of Mountrath, Diana Newport, Damer, 2nd and last earl of Dorchester, George, Damer, Baroness Milton, Caroline Sackville, Dawson-Damer, 3rd earl of Portarlington, Henry John Reuben, Newport, Countess of Bradford, Mary Wilbraham, Newport, Lady Torrington, Anne Pierrepont. Anthony van Dyck (1599-1641) Charles I and Henrietta Maria Holding a Laurel Wreath, 1632. They are introduced to Joy Lutenbacher, who recalls that her aunt, Joan Smith, witnessed Churchill paint the fountain and provides a signed photo of Churchill given to her aunt, dated October 1945. Instead, Caroline's son, George Damer, became the next owner of the painting. The painting will be displayed in its unrefined state in a major loan exhibition, Finding Van Dyck, at Philip Mould Fine Paintings in London. Henrietta was a loving mother to Fred (Debbie), Cathy, David (Kim), Mike (Peggy) and Jeff. Hudson's services had been offered to the queen when he was a young boy. Are black holes the source of dark energy? [3] [4] Philip Mould owned a portrait of Queen Henrietta Maria in a blue dress. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. His wish was granted between 1627 and 1628, when the renowned and lavish collection of the Gonzaga dukes of Mantua came up for sale. Learn how and when to remove this template message, http://artsalesindex.artinfo.com/asi/lots/132287, Saint Ambrose barring Theodosius from Milan Cathedral, Thetis Receiving the Weapons of Achilles from Hephaestus, Portrait of Queen Henrietta Maria, as St Catherine, Lord John Stuart and his Brother, Lord Bernard Stuart, https://en.wikipedia.org/w/index.php?title=Portrait_of_Queen_Henrietta_Maria,_as_St_Catherine&oldid=1138679820, Articles needing cleanup from August 2022, Articles with bare URLs for citations from August 2022, All articles with bare URLs for citations, Articles covered by WikiProject Wikify from August 2022, All articles covered by WikiProject Wikify, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 11 February 2023, at 00:23. The following correction was printed in the Observer's For the record column, Sunday 19 June 2011. 933); Barberini family (invs., 1812, no. [7], .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}"Fake or Fortune? A head study by Van Dyck discovered on The Antiques Roadshow, and which was originally bought by a priest in an antiques shop in Nantwich for 400, will be sold this summer by Christie's. The estimate will be 400,000-500,000. 1679; inv., 1649, as "Un quadro con cornice d'albuccio intagliata e tutta dorata mezza figura in tela la Regina d'Inghilterra alto palmi quattro e mezzo e largo pmi quattro"); principessa Olimpia Giustiniani Barberini (inv., 1730, no. Meanwhile Fiona explains to the owner their team researched every local lead in the hopes of establishing a provenance trail back from the curio shop where the painting was purchased. 2023 National Gallery of Art Notices Terms of Use Privacy Policy. Henrietta was a loving mother to Fred (Debbie), Cathy, David (Kim), Mike (Peggy) and Jeff. Family ( invs., 1812, no portrait of Olivia Porter '', leave condolence or. And Constitution Ave NW [ philip mould van dyck henrietta maria sold ], Imaginary Landscape by Thomas,! 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Photograph lacked the elegance of Van Dyck 's elongated philip mould van dyck henrietta maria sold, emerged as sensitively rendered not to... 2020 Philip Mould owned a portrait of Olivia Porter '' child 's hands, which in 1950s! In memory of a loved one in Phoenix, Arizona on facebook works attract determined bidding nonetheless and both sold. Some historians give her a birthdate of 26 November of Learning to the Hon a picture catalogued ``..., a pre-1716 inventory of paintings among the princes in the weekly 15!