Still, what some may see as folklore's central weakness is in actuality its greatest strength. Where Reputation before it was a risky, abrasive side-step shrouded in a smoky eye, Lover's follow up is a blushing cheek beaming with rosy retrospection and hopes for the future. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. I also factored in critic reviews of the albums when deciding on the final ranking. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" The albums lyrics only serve to bolster that perception: Swift comes off like a frazzled stay-at-home mom scolding her disobedient children on Look What You Made Me Do and This Is Why We Cant Have Nice Things. But its her willingness to portray herself not as a victim, but the villain of her own story that makes Reputation such a fascinatingly thorny glimpse inside the mind of pops reigning princess. The finished product is, of course, sterling. Swift closes the non-deluxe edition of "1989" with "Clean," which adheres to the pop theme but is more low-key and showcases the heartfelt, haunting songwriting she's known for: "The drought was the very worst / When the flowers that we'd grown together died of thirst / It was months and months of back and forth / You're still all over me like a wine-stained dress I can't wear anymore.". But just because Taylor took a sharp left turn doesn't mean she was unsuccessful. We, the listeners, need a few more of our own sleepless nights, staying up drinking with Taylor and looking backward to definitively weigh our affection. Keefe. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. To me, "Midnights" feels like an encapsulation of Swift's musical journey. ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. Released in 2012, "Red" is a clear departure from Swift's country days, though she holds onto her signatures, like tragic tales told with beautiful lyrics and upbeat, catchy hits, pivoting easily between the two. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. Too many of us have felt like the monster on the hill encroaching on a peaceful city, the devastated partygoer in the blood-soaked gown, the midnight raining on a kindred spirit's sunlight, the lovesick loner lost in a labyrinth of their own making. These subtle parallels between songs form a sheen narrative web that hovers above the awareness of the average listener but dazzles the die-hard fan, who at this point is well accustomed to Swift's scavenger hunt antics. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Justin Vernon of Bon Iver's defeated drawl) borrows similarly spacious minor keys with ten times the heartbreak. some of the music released later in her career. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. Taylor Swift's "Folklore" album cover was photographed by Beth Garrabrant. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. Keefe, In the run-up to the release of her sixth album, Reputation, Swift was excoriated by fans and foes alike for too often playing the victim. Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. On her first three albums, love is mostly a daydream. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. But as we all know, Taylor Swift isn't like other artists. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. But her self-titled debut is stagnant in retrospect, its feet firmly planted into an arbitrary industry mogul's limited vision of the "next best country artist." It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. Taylor Swift surprise-released her eighth album "Folklore" on July 24, 2020. Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. Welcome to the Quantum Realm. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. Related: Ranking Taylor Swift's 10 Most Viewed Music Videos. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. And though "All Too Well" is of course her opus in this arena, Speak Now precedes it with an impressive display of her one-off storytelling powers. And, yes, her songwriting here is not quite fully actualized (as hindsight allows us to see now), but that doesn't diminish these songs' lasting splendor. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. She colors its lyrics and soundscapes between the clear cut, ear candy lines a hint of bubblegum pop, a dash of animated movie-anthem flair (it's a miracle that "ME!" Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Morgan Wallen One Thing at a Time (2023) 20. Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). It's the stuff of shared languages, not unlike our own pensive journal entries when we had nowhere else to turn but the page. The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. This Taylor Swift discography is ranked from best to worst, so the top Taylor Swift albums can be found at the top of the list. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". Would it be soft and sincere, like "New Year's Day," poppy and upbeat like "Wildest Dreams," or go back to Swift's acoustic roots with songs like "Untouchable"? On Swifts second album she still kept things country, but this time the pop edge that defined later releases was more evident. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. And I'm telling you, it's going to be a journey. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). Dark, biting, sassy, and straight-up cool, in this track, Swift makes it known that she's here to play and no one can take her down: "But I got smarter, I got harder in the nick of time / Honey, I rose up from the dead, I do it all the time. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. The distorted vocal effects and shifts in dynamics on I Knew You Were Trouble heighten the sense of frustration that drives the song, and the driving rhythm section on Holy Ground reflects Swifts reminiscence of a lover who took off faster than a green light, go. Not all of the songs here are so keenly observedState of Grace and I Almost Do lack the specificity thats one of Swifts songwriting trademarks, while the title track underwhelms with its train of pedestrian similes and metaphorsbut if Reds highlights were career-best work for Swift at the time. What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. Overall, it's charming and mostly tame, but then again, she's happy. Though the album is gorgeously hooky as a whole, and overall perfect for belting in the car for a pick-me-up, it's not hard to imagine Katy Perry or even Demi Lavato as a stand-in singer for the LP's lowest moments. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. While she had flirted with a transition from country in Red two years prior, 1989 came full throttle with heightened production from soon-to-be mainstay producer Jack Antonoff (of Fun. Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. For the album ranking, I considered a few factors including cohesiveness, listening experience, the number and quality of standout songs, and if the album is musically interesting or lyrically special. Theres a free-wheeling, carefree attitude to the collection. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. She's endlessly accessible, easy to understand even in her later, more cryptic works, yet her songwriting is also a blank space (*cue pen-click*) ripe for filling in your personal memories and private associations. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. Swift dropped a "special very chaotic surprise" in the form of seven bonus tracks. Its admirable that she tries to incorporate more sophisticated elements into a few of the songs here, but dancing with or kissing someone in the rain is a default image that crops up with nearly the same distracting frequency as references to princesses, angels, and fairy tales. "Speak Now" comes in at no. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" this is everything before Red (Taylor's Version) it took so l. Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. ", Big Machine/Republic Records/Republic Records/Big Machine. The tracks combined her typical impressive storytelling abilities while tying together strong emotions of frustration that feel at home in "Reputation" (seen in the track "The Man") as well as stories of falling in love and almost losing it that feel at home in "Speak Now" or "Red" (as seen in "Cornelia Street"). But what's never changed is Taylor's enchanting ability to translate a memory whether charmed or trying into a moment that feels like yours. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. It saw Swift push back at a narrative that saw her portrayed as vengeful and bitter, an image that had been thrust upon her by the media and exacerbated by her very public, very long-running beef with Kanye West (first started when he infamously interrupted Taylor Swifts acceptance speech at the VMAs, and regularly reignited by the Kardashian-West clan). The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") Taylor Swift's 10 seminal albums, ranked In honor of her instant-classic, record-breaking new LP Midnights , here's EW's ranking of Taylor Swift's 10 studio albums from her illustrious career. It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. Written when she was a high school freshman, it saw Swift dissect her relationship with a senior who she knew would break up with her when he went off to college. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. On this record, Swifts took her new sound and ran with it with thrilling results. With the addition of six from the Vault tracks (songs written at the same time as the album, that Swift shared with the re-recorded version), it was like opening a musical time-capsule; with tracks like the emotive Fifteen taking on a new meaning as a poignant tribute to her teenage life. taylor swift albums Tier List Maker - TierLists.com taylor swift albums Press the labels to change the label text. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. At just 20-years-old before she had even fully blossomed out of country's genre barriers Taylor had mastered the delicate balance of detailing the life moments blurred between adolescence and adulthood. Standout tracks from my first few listens include "Anti-Hero" and "Maroon. The definitive ranking of Taylor Swift's 'Folklore' songs. Theres a Bon Iver collaboration, too: melancholy duet Exile, a slow-burning number which eventually erupts into chattering layered vocals and euphoric strings at the climax. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. These tales spin out like spools of fine gold, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. After a fiery Twitter storm courtesy of Kanye (though it was far from their first feud), Taylor finally sheds her decade-old, good girl persona for the villain alter-ego curated by the media, opting to settle the score through what she does best: traversing new sonic territory. But once the title track's idyllic and endearing comedown is over, and the atmospheric funeral march for past woes of "The Archer" makes way for new beginnings, Lover has very few high points after its fifth track. Almost 15 years ago, before the Grammy awards and international tours, a fresh-faced, 17-year-old Taylor Swift released her self-titled debut album. It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. The Taylor Swift song sorter and B. Taylor Swift albumsTaylor Swift - 1989Credit: Big Machine, Fall Music Preview Most Anticipated Albums, Taylor Swift albumsTaylor Swift - Speak NowCredit: Big Machine. Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. Red is filled with top notch tunes: the brilliantly snarky We Are Never Ever Getting Back Together (Swifts first ever Billboard 100 Number One) and fizzing 22 are stone-cold smashers. Another remote collaboration composed in secret, evermore is a sort of epilogue to the backwoods mythos and backdoor relationships on folklore, delving into new character studies with a familiar, folk-infused air of coulds, woulds, and shoulds. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". Songs like "Blank Space" and "Wildest Dreams" are more than deserving of their far-reaching recognizability, but not so much their long time (and only recently dethroned) standing at the top of Taylor's Spotify play stats. But this time, we're also met with a subtle lightness, like the calm and clarity that comes after a good cry. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. All of Swift's signature elements are present on Swift's third studio album that was released in 2010 beautifully honest lyrics about heartbreak ("Dear John," "Last Kiss"), biting diss tracks ("Mean," "Better Than Revenge"), and a story that unfolds ("Mine"). Keefe, Swifts seventh album, Lover, lacks a unified sonic aesthetic, ostensibly from trying to be something to everyone. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. 2023 Oscars predictions: See who will win at the 95th Academy Awards. 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Its deluxe-edition songs, carefree attitude to the collection tame, but then again, she 's.... New direction with it with thrilling results adulthood, draws from that dizzying dysphoria uses. Drawl ) borrows similarly spacious minor keys with ten times the heartbreak just!